When he was approached by Anton Weidinger, a trumpeter in the Vienna Court Orchestra, for a trumpet concerto, the offer tweaked Haydn's curiosity and he accepted. Haydn used the trumpet in the orchestra as most composers did in his time, mainly as a support for the home key and for fanfares. Some players became so skilled in these difficult high notes that they could play melodies of great complexity on the natural trumpet, which led composers of the Baroque era such as Vivaldi and Bach to write highly decorated and florid solo parts for these trumpet virtuosos. In the upper register of the instrument more notes are available and a scale of the home key can be played. Different lengths of tubing were devised that could be exchanged on the instrument to lengthen or shorten the tube so that other keys could be played. The range of notes in the lower range of the instrument were further limited to a major chord, thus when the trumpet became part of the symphony orchestra they were restricted to the notes of the home key. Player using lip tension and breath pressure. Different notes within the harmonic series were sounded by the These natural instruments (as they had no valves) were limited in the notes they could play, as the length of tubing determined the key of the instrument. it wasn't until around the 13th century that the tubing was folded back on itself one or more times to make the instrument compact. These ancient metal trumpets were usually in one long straight section. The trumpet was also used for religious and civic ceremonies, such as heralding the arrival of important people such as kings. The metal trumpet was known at least as early as 1500 BC and examples have been found in many different locations in the world. The trumpet was probably first used as a method to convey signals and directions to armies in battle, with its loudness helping it to be heard over the din of war.
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